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UID:20251108T0816Z-1762589782.4531-EO-24308-21@10.19.146.21
STATUS:CONFIRMED
DTSTAMP:20260611T092244Z
CREATED:20251107T233740Z
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SUMMARY: Critical Thinkers Series: Su-Anne Yeo
DESCRIPTION: Join us for a talk\, "The Worldless Image" by Dr. Su-Anne Yeo\
 , Sessional Lecturer at the Department of Asian Studies\, UBC
X-ALT-DESC;FMTTYPE=text/html: <p><img class="aligncenter wp-image-24309 siz
 e-full" src="https://thfl.cms.arts.ubc.ca/wp-content/uploads/sites/21/2025/
 11/critical-thinkers-series-website-1280-x-720-px-8.png" alt="" width="1280
 " height="720" /></p><p>Presented by the Centre for Cinema Studies and Cine
 ma Thinks the World\, the Critical Thinkers Series features research talks 
 by notable and emerging scholars in Cinema and Media Studies. Join us for t
 he next talk in the Fall 2025 Series by Dr. Su-Anne Yeo\, Sessional Lecture
 r at the Department of Asian Studies\, UBC.</p><h3><strong>The Trans-Asian 
 Cine-Feminism of Julia Kwan's <em>Eve and the Firehorse</em> (2005)</strong
 ></h3><p>Produced twenty years ago in 2005\, <em>Eve and the Firehorse</em>
  tells the story of two Chinese Canadian girls\, Eve and Karena\, coming of
  age in Vancouver in the 1980s. A Hong Kong-Canada co-production\, the film
  premiered at the Toronto International Film Festival and went on to win th
 e Special Jury Prize for World Cinema (Dramatic) at the Sundance Film Festi
 val in 2006.</p><p>Drawing upon the work of film historian and film scholar
  Zhen Zhang and her recent book <em>Women Filmmakers in Sinophone World Cin
 ema</em> (2023)\, this talk re-evaluates <em>Eve and the Firehorse </em>as 
 a cinema project which centers both female imagination and Chinese diaspori
 c experience. It asks\, to what extent do films like Kwan's contribute to w
 hat Zhang calls\, "an intimate-public commons"?</p><h3><strong>About Dr. Su
 -Anne Yeo</strong></h3><p>Su-Anne Yeo researches and teaches in the areas o
 f film studies\, media studies\, and cultural studies\, with a specializati
 on in Asian and Asian diasporic screen cultures. She completed a PhD in Med
 ia and Communications under the supervision of Professor Chris Berry at Gol
 dsmiths\, University of London in 2016 and is currently developing a monogr
 aph based on her thesis entitled\, <em>Alternative Screen Cultures in Asia 
 Pacific</em>\, for Amsterdam University Press. Her output includes publicat
 ions on various aspects of screen distribution and exhibition\, and her boo
 k chapter\, “Translating the Margins: New Asian Cinema\, Independent Cinema
 \, and Public Culture at the Hong Kong Asian Film Festival\,” from the edit
 ed collection\, <em>Chinese Film Festivals: Sites of Translation</em>\, was
  published by Palgrave Macmillan in spring 2017. Her most recent book chapt
 er about the remediation of early cinematic practices within the site of th
 e museum was published by Oxford University Press in 2020.</p><p>This talk 
 is presented in partnership with <a href="https://acam.arts.ubc.ca/" target
 ="_blank" rel="noopener">Asian Canadian and Asian Migration (ACAM) Studies<
 /a>.</p><p><strong>This event is free and there is no need to RSVP. </stron
 g></p>
CATEGORIES:Featured Events
LOCATION:MATH 203\, Mathematics Building
GEO:49.266433;-123.255524
URL;VALUE=URI:https://theatrefilm.ubc.ca/events/event/critical-thinkers-ser
 ies-su-anne-yeo/
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DTSTART:20251102T090000
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