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DTSTAMP:20260712T082101Z
CREATED:20250306T225418Z
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SUMMARY: Critical Thinkers Series: Harrison Wade
DESCRIPTION: Presented by the Centre for Cinema Studies and Cinema Thinks t
 he World\, the Critical Thinkers Series features research talks by notable 
 and emerging scholars in Cinema and Media Studies. Join us for the second t
 alk in the Spring Series by Harrison Wade\, Cinema and Media Studies PhD st
 udent in UBC’s Department of Theatre and Film.  […]
X-ALT-DESC;FMTTYPE=text/html: <p><img class="aligncenter wp-image-23342 siz
 e-large" src="https://thfl.cms.arts.ubc.ca/wp-content/uploads/sites/21/2025
 /02/critical-thinkers-series-website-1280-x-720-px-1024x576.png" alt="" wid
 th="620" height="349" /></p><p><span data-contrast="auto">Presented by the 
 Centre for Cinema Studies and Cinema Thinks the World\, the Critical Thinke
 rs Series features research talks by notable and emerging scholars in Cinem
 a and Media Studies. Join us for the second talk in the Spring Series by Ha
 rrison Wade\, Cinema and Media Studies PhD student in UBC’s Department of T
 heatre and Film. </span></p><h3>“You Draw Fireworks like Bombs”: Digital Fo
 rm in Obayashi Nobuhiko’s Casting Blossoms to the Sky</h3><p>This talk offe
 rs a close reading of Obayashi Nobuhiko’s essay movie <i>Casting Blossoms t
 o the Sky </i>(2012)\, which makes up part of his late war trilogy. The mov
 ie is a tangle of threads: after the Great East Japan Earthquake in 2011\, 
 a reporter is invited by her ex-boyfriend to visit Nagaoka\, where he’s put
 ting on a play with his high school students about the WWII bombing in the 
 area. They cross paths as they talk to residents\, played by actors\, about
  Japan’s invasion of Manchuria and bombing of Pearl Harbor and the local fi
 reworks festival. The movie\, in the usual Obayashi style\, flashes freneti
 cally through time and space\, weaving these threads together with explicit
 ly anti-realist digital effects. In proposing fireworks are like bombs in t
 his style\, <i>Casting Blossoms </i>raises important questions about digita
 l thinking and formalism\, two methodologies that share a commitment to sep
 arating a whole movie into its discrete parts\, and so this talk focuses on
  what these approaches might be able to do and find in cinema that other to
 ols cannot.</p><h4>About Harrison Wade:</h4><div class="info-wrapper"><p>Ha
 rrison Wade is a PhD Candidate in Cinema and Media Studies and recipient of
  a SSHRC Doctoral Fellowship. They graduated from the University of Toronto
  with a BA in Cinema Studies and English\, where they received the Norman J
 ewison Fellowship in Film Studies. Their dissertation draws from film theor
 y and formalist methodologies to read non-photorealistic CGI in contemporar
 y art cinema\, but they have also written on feminist experimental shorts\,
  phenomenology\, and classical Hollywood performance. Harrison has an essay
  film published in <i>[in]Transition</i> and writes poetry\, which can be f
 ound in <i>The Malahat Review</i>\, <i>Contemporary Verse 2</i>\, and <i>SA
 D Mag</i>\, among others.</p><p><strong>This event is free and there is no 
 need to RSVP. </strong></p></div>
CATEGORIES:Featured Events,Featured News &amp\; Events Banner
LOCATION:Dodson Room\, Irving K. Barber Learning Centre
GEO:49.267851;-123.253087
URL;VALUE=URI:https://theatrefilm.ubc.ca/events/event/critical-thinkers-ser
 ies-harrison-wade/
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